During the past week, the Christian Brothers have finally been receiving
some good press.
A couple of overwhelmingly positive articles followed a directive from
Rome-based Congregational Leader Br Philip Pinto. Pinto said that the order
is to leave the schools ministry in favour of a deployment into "new and
greater areas of need", specifically missionary work in the Philippines.
Last Saturday, The Age reported praise for the Brothers from
Victorian Premier and St Pat's Ballarat old boy Steve Bracks. Referring to
the "passion, commitment and discipline" that were the "hallmarks" of their
education, Bracks said "the Brothers had a historical commitment to
education to success, particularly for families who had made their way to
Australia from other parts of the world."
The Sydney Morning Herald followed up on Monday with columnist Chris
McGillion genuinely regretting the close of "an important chapter in the
story of the Australian Catholic Church". On Tuesday, a letter writer to the
Herald shared some of his own "happy memories" of the Brothers.
The articles glossed over the fact of the Brothers' association in the
public imagination, and in fact, with the issue of sex abuse. This is in
stark contrast with most media coverage of the Brothers in recent years,
which has all but ignored their achievements. McGillion pointed out that
they helped generations of working-class Catholics into the middle class and
the professions.
It's hard to overstate the overwhelming seriousness of sex abuse. But
journalists' perception of the weight of the issue has led them to create a
general impression that has unfairly and untruthfully tarnished the public
face of the Brothers as a whole. Though innocent, some hitherto highly
respected brothers have been falsely accused. Others had their reputations
damaged forever by association.
For journalists, there's no doubt that a story's a story. The facts that
don't fit the general picture are best glossed over or ignored if a story's
going to be memorable. A journalist is not a social scientist, and
impression is everything. A lack of pattern in the facts presented, or
qualified conclusions, kills a story's power and sex appeal.
But the issue of selective reporting goes further than this. Practices can
extend to calculated self-censorship, and questionable media taboos.
Those who saw Fine Line, Ellen Fanning's recent series on media
ethics on SBS TV, might remember ABC journalist Maxine McKew's mea
culpa.
Referring to the early days of her career in the 1970s, she confessed that
she had followed a widespread media practice of ignoring violence in
Indigenous communities for the sake of what was commonly believed to be the
greater good. It was feared that revealing the extent of black violence
while reporting on Aboriginal communities might reinforce the prejudice and
disadvantage of Aboriginal people.
Many Australians did not learn about such violence until The Age
famously broke the taboo with its subsequently proved rape allegations
against former ATSIC head Geoff Clark in the late 1990s.
Like the violent crimes of individuals in Aboriginal communities, stories of
the heroism of the Brothers would never have made it in the mainstream media
due to journalistic self-censorship. Certainly it's true that the quiet
achievements of the majority were less newsworthy than the heinous crimes of
the minority. But that's only part of the reality.
Just as reporters felt compelled to turn a blind eye when they learned about
black violence in Aboriginal communities, journalists have faced pressure to
do everything possible to uphold the power of their media in helping to
bring to Christian Brother sex abusers to justice. This includes avoiding
positive press for the Brothers.
For whatever reason, Br Pinto's recent announcement appears to have
triggered the breaking of the taboo. So now we can all resume our love and
respect for the quiet achiever majority among the Christian Brothers.